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Jill
Mathis - Parallel Text (Photographs) (....)
After having studied the works of Jill Mathis in their exhibition dimension,
after having experienced the visual impact of these photographs anchored,
for the most part, in black and white, in subtle tonings and discreet
insertions of colour, enough to offer us a reality mediated through
the filter of thought and devoid of the glaring invasiveness which characterises
quotidian communication, I have found myself glancing at the same images
in reduced format. Images for a book, like those reproduced in this
catalogue, which, after having "spoken" from the walls of
the gallery, prepare themselves to be examined in a more private and
intimate reading space. Such a distinction could seem banal, basically
extensible to any work presented in an exhibition and in the relevant
publication. In this case, however, it serves to draw attention to the
double level of reading, that of the image apart (which dominates in
the large format, at the exhibition) and that arising from its combination
with the word, paradoxically rendered more accessible in reproductions
of reduced size. Glancing at Jill's works means to perceive an unusual
dimension, that of a kind of illustrated etymological dictionary for
adults, which combines linguistics with visual art at the crossroads
between photographic poetics and conceptual valencies. |
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