| Zhang Huan's often traumatic performances are memory retrievals,
recollections of suffering. For example, his 1994 performance in a public toilet in an impoverished area of Beijing referred to the abortions and female infanticides that occurred under the Chinese government's one child policy. The artist covered himself with honey and fish oil, sat motionless for several hours attracting flies and ants before emerging himself in a nearby river. Huan's group performances, involving nine or more people, use logic to defy logic and culminate in rigid formations: a pyramid of naked bodies, people standing motionless in water, figures face down on the ground. While paralleling the rigidity and alienating effects of social structures, these formations give further expression to the trauma of the collective. The result of great shock and suffering manifests itself in intense physical and emotional pain, both individual - Zhang Huan's personal and family history - and collective - a nation emerging from the brutality of the Cultural Revolution, famine, political repression, ideological zeal, and the hardship of everyday life in China. Zhang Huan is acclaimed as one of the foremost artist of the new wave from China. Zhang Huan was born in 1965, 3 January, in An Yang City, He Nan Province, China. 1991-1993: Graduate from the Central Academy of Fine Arts,Beijing. 1984-1988:Graduate from the Art Department, He Nan University, Kai Feng and Beguiling. 1988-1991: Instructor, Art Department, He Nan University, Kay Feng. |
| Zhang Huan - Selected Group Exhibitions | |
2009 |
Action-Camera: Beijing Performance Photography, Morris and Helen Belkin Art Gallery, Vancouver (Canada) |
| The Buhl Collection: Speaking with Hands, Daelim Contemporary Art Museum, Seoul (South Korea) | |
| Zhang Huan, Milton Manetas, Malcolm McLaren, Galleria Pack , Milano (Italy) | |
| Continents, Spazio Paraggi, Treviso (Usa) | |
| Arte Fiera, LipanjePuntin artecontemporanea, Bologna (Italy) | |
| Steel Life, La Triennale, Milano (Italy) | |
| Yi Pai-Century Thinking, Today Art Museum, Beijing (China) | |
| The Social Critique 1993-2005, Kalmar Konstmuseum, Kalmar (Sweden) | |
| Re_View: 170 Years of Photography, National Gallery of Victoria, Melbourne (Australia) | |
| 100 Years. A Draft of a History, PS1 Museum of Contemporary Art, New York (USA) | |
| Beg Borrow and Steal, The Rubell Family Collection, Miami, Florida (Italy) | |
2008 |
Arte Fiera, LipanjePuntin artecontemporanea, Bologna (Italy) |
| Half-Life of a Dream, San Francisco Museum of Modern Art, San Francisco (USA) | |
| Avant-garde China, The National Art Center, Tokyo (Japan) | |
| Body Language: Chinese Photography, National Gallery of Victoria, Melbourne (Australia) | |
| Art Verona, LipanjePuntin artecontemporanea , Verona (Italy) | |
| MiArt, LipanjePuntin artecontemporanea, Milano (Italy) | |
| Person of the Crowd, Neuberger Museum of Art , New York (USA) | |
| China Gold, Museum of Maillol, Paris (France) | |
| Sculpture at Pilane, Tjorn (Sweden) | |
2007 |
An Instinctive Eye. From Sir Elton John Collection, Pinchuk Art Centre, Kiev (Ukraine) |
| Contemporary Combustion:Chinese Artists in America, The New Britian Museum of American Art, New Britian (USA) | |
| Multiplex:Directions in Art 1970 to Now, Museum of Modern Art (Uni.of Chicago), Chicago (USA) | |
| The Quiet Gesture, Recent Chinese Art, The Newark Museum, Newark (USA) | |
| Voiceless: I Feel Therefore I Am, Sherman Galleries, Sydney (Australia) | |
| Timer 01 - Intimità/Intimacy, Triennale Bovisa, Milano (Italy) | |
| Art(verona, LipanjePuntin artecontemporanea, Verona (Italy) | |
| Red Hot:Asian Art Today from the Chaney Collection, Museum of Fine Arts, Houston (USA) | |
| Grey Water, Institute of Modern Art, Brisbane (Australia) | |
| Photographies. New Acquisitions 2003 - 2007, Centre Pompidou, Paris (France) | |
| All for Art! Great Collections Among Us, The Montreal Museum of Fine Arts, Montreal, Quebec (Canada) | |
| Made in China, Louisiana Museum of Modern Art, Copenhagen (Denmark) | |
| Arte Fiera, LipanjePuntin artecontemporanea, Bologna (Italy) | |
| Exposed: Defining Moments in Photograph MCA Coll., Museum of Contemporary Art, Chicago (USA) | |
| Zhuyi! China. Contemporary Photography from China, Artium of Alava, Alava (Spain) | |
| Water, The Israel Museum, Jerusalem (Israel) | |
2006 |
Chi ha paura della Cina?, Palazzo Pino Pascali, Polignano, Bari (Italy) |
| On the Edge: Chinese Artists encounter the West, Indianapolis Museum of Art, Indianapolis (USA) | |
| Making a Scene, Haifa Museum of Art, Haifa (Israel) | |
| Reverence, Hudson Valley Center for Cont. Art, New York (USA) | |
| Fever Variations, The 6th Gwangju Biennale 2006, Gwangju (Korea) | |
| Radar - Selection from the Logan Collection, Denver Art Museum, Denver, Colorado (USA) | |
| Drawing as Process in Contemporary Art, Smart Museum of Art, University Chicago, Chicago (USA) | |
| Arte Fiera, LipanjePuntin artecontemporanea, Bologna (Italy) | |
| Shoot the Family, Cranbrook Art Museum, Michigan (USA) | |
| MiArt, LipanjePuntin artecontemporanea, Milano (Italy) | |
2005 |
The Wall, Reshaping Cont. Chinese Art, China Millennium Monument Art Gallery, Beijing (China) |
| Fusion: Aspects of Asian Culture, MUSAC, Leon (Spain) | |
| The Pictures of Dorian Gray, Galeria de Arte Mexicano, Mexican City (Mexico) | |
| On the Edge, Iris & B.Gerald Cantor Center for Arts, Stanford University, California (USA) | |
| Monuments for the USA, CCA Wattis Institute Contemporary Arts, San Francisco (USA) | |
| Text Me: An Esploration of Body Language, Sherman Galleries, Sydney (Australia) | |
| The Museum Collections, Center Pompidou, Paris (France) | |
| Future Face, National Museum of Natural Science, Taiwan (Taiwan) | |
| Locus Lophem 2005, Kunsthalle Lophem, Lophem (Belgium) | |
| The Great Beyond, Kunstmuseum Thun, Thun (Switzerland) | |
| Between Skin and Orgasm - The Alchemistic Body, Kunsthalle Lophem, Lophem (Belgium) | |
| Mahjong, Contemporary Chinese Art - Sigg Coll., Kunstmuseum Bern, Bern (Switzerland) | |
| The Museum Collection, Centre Pompidou, Paris (France) | |
| Person of the Crowd, Contemporary Art Museum, Maryland (USA) | |
2004 |
Witness, Museum of Contemporary Art, Sydney (Australia) |
| Regeneration, Samek Art Gallery, Bucknell University, Pennsylvania (USA) | |
| Constructed Identities, Ulrich Museum of Art, Wichita Sate University, Wichita (USA) | |
| Camera/Action:Performance and Photography, The Museum of Contemporary Photography, Columbia College Chicago, Chicago (USA) | |
| Queens International 2004, Queens Museum of Art, New York (USA) | |
| Me, Myself & I, Florida Atlantic University, Florida (USA) | |
| Between Past and Future, Museum of Contemporary Art, Chicago (USA) | |
| Between Past and Future, International Center of Photography, New York (USA) | |
| The Amazing and the Immutable, University of South Florida Art Museum, Florida (USA) | |
| The Art Project Goetzen, Houses of an Idol, Slubice (Poland) | |
| The Art Project Goetzen, Houses of an Idol, Frankfurt (Germany) | |
| Dialogue with Pop, The Tank, Spaceworks Gallery, New York (USA) | |
| Neither Here Nor There, Cheekwood Museum of Art, Nashville (USA) | |
| Face/off, The Association of Arts and Crafts, Pforzheim (Germany) | |
| Anthro/Socio, The Artist Network, New York (USA) | |
2003 |
Beaufort, Triennial for Contemporary Art, The PMMK, The Museum of Modern Art, Ostend (Belgium) |
| Blood Lines & Connections, Museum of Contemporary Art, Denver (USA) | |
| BQE, White Box, New York (USA) | |
| Performance and Almost Performance, Reina Sofia National Museum, Madrid (Spain) | |
| Skin Deep, Museo di Trento e Rovereto, Rovereto (Italy) | |
| Me and More, Museum of Art Lucerne, Lucerne (Switzerland) | |
| Come Rally, Basque Museum of Contemporary Art, Vitoria (Spain) | |
| Phantom of Desire: Visions of Masochism in Art, Neue Galerie, Graz (Austria) | |
| Somewhere Better Than This Place, The Contemporary Arts Center, Cincinnati (USA) | |
| Photo España 2003, International Photography Festival, Madrid (Spain) | |
| Art Project, Diverse Works Artspace, Houston (USA) | |
| Temporal Mood, Barbara Davis Gallery, Houston (USA) | |
| Rituals, Academy of Arts, Berlin (Germany) | |
| Bamquet, Metabolism and Communication, ZKM Center for Art and Media, Karlsruhe (Germany) | |
| Body Politics, Elga Wimmer Gallery, New York (USA) | |
| Full Frontal - from the Logan Collection, Denver Art Museum, Denver (USA) | |
| Spiders and Flies, Newcontemporaries, Sydney (Australia) | |
| New Zone, Zacheta National Gallery of Art, Warsaw (Poland) | |
| MiArt, LipanjePuntin artecontemporanea, Milano (Italy) | |
| Arte Fiera, LipanjePuntin artecontemporanea, Bologna (Italy) | |
| Family Ties, Peabody Essex Museum, Massachusetts (USA) | |
| Windstil, Cotthem Gallery, Brussels (Belgium) | |
2002 |
Skin Talks, Musée de la Civilisation, Quebec (Canada) |
| Attachment +, Kunsthalle Lophem, Lophem (Belgium) | |
| Subjectivity: Photographs of Themselves, Arizona State University Art Museum, Arizona (USA) | |
| 2002 Biennial Exhibition, Whitney Museum of American Art, New York (Usa) | |
| Shock & Show, LipanjePuntin artecontemporanea, Trieste (Italy) | |
| Artissima, LipanjePuntin artecontemporanea, Torino (Italy) | |
| China Contemporary Art Exhibition - Red Continent, Gwangju Art Museum, Gwangju (Korea) | |
| The Gift, The Bronx Museum of Art, New York (USA) | |
| SAMCollects, Seattle Art Museum, Seattle (USA) | |
| La Mirada Ajena, Basque Museum of Contemporary Art, Vitoria (Spain) | |
| Paisajes del Cuerpo, Sala Zapateria 40, Pamplona (Spain) | |
2001 |
Yokohama 2001: International Triennale, Yokohama (Japan) |
| Subject Plural: Crowds In Contemporary Art, Contemporary Arts Museum, Texas (Usa) | |
| The Gift, Palazzo delle Papesse, Siena (Italy) | |
| Touring to, Queens Museum of Art, New York (Usa) | |
| Translated Acts, Haus der Kulturen der Welt, Berlin (Germany) | |
| Metamorphosis and Cloning, Museum of Contemporary Art, Montreal (Canada) | |
2000 |
Betreff - Expo 2000, Themenpark - Basic Needs, Hannover (Germany) |
| Potent/Present: Works from the Logan Collection, CCAC Institute, Oakland (Usa) | |
| Group Show Opening, (Cotthem)3 Foundation, Sint-Lievens-Houten (Belgium) | |
| Video via Venice, Institute of Contemporary Art, Boston (Usa) | |
| Epifanie, Parkabdij Heverlee, Heverlee (Belgium) | |
| Yerba Buena Center of the Arts, San Francisco (Usa) | |
| Emotional Rescue: The Contemporary Art Project, Center of Contemporary Art, Seattle (Usa) | |
| 6 Signals: Video by Contemporary Artists, Cheekwood, Nashville (Usa) | |
| Socialism / Special Exhibition, Stockholm Art Fair, Stockholm (Sweden) | |
| Supermodel: Identity and Transformation, LipanjePuntin artecontemporanea, Trieste (Italy) | |
| The Standard Projection: 24/7, The Standard Hotel, Los Angeles (Usa) | |
| Sharing Exoticism, 5th Biennale de Lyon, Lyon (France) | |
| Waterfront-Cultural Bridge 2000, Helsinborg Museum, (Sweden and Denmark) | |
| Utopia, Rogaland Kunstmuseum, Stavanger (Norway) | |
1999 |
Summit, Galerie 5020, Salzburg (Austria) |
| Stories, A / C Projects, New York (Usa) | |
| Five Continents and a City, Museum of Mexico City, Mexico City (Mexico) | |
| Self-Portrait, Mercer Union-Center for Contemporary Art, Toronto (Canada) | |
| The Century of the Body: Photoworks 1900-2000, Musée de l'Elysée, Lausanne (Switzerland) | |
| The Century of the Body: Photoworks 1900-2000, Culturgest, Lisbon (Portugal) | |
| Last Paradise, Presenca Galeria, Porto (Portugal) | |
| Art Worlds in Dialogue, Ludwig Museum, Köln (Germany) | |
| Risk Cinema, Harn Museum of Art-University of Florida, Gainesville (Usa) | |
| Zhang Huan: A Video Survey 1994-1998, Govett-Brewster Art Gallery, New Plymouth (New Zeland) | |
| Best of the Season, Aldrich Museum of Contemporary Art, Rigefield (Usa) | |
| In Your Face, New Langton Arts, San Francisco (Usa) | |
| Transience: Chinese Art at the End of the 20th C., The Smart Museum of Art, Chicago (Usa) | |
| Contemporary Collectors, Museum of Contemporary Art, San Diego (Usa) | |
| The Kent and Vicki Logan Collection, San Francisco (Usa) | |
| La Biennale di Venezia, Venezia (Italy) | |
1998 |
The San Francisco Museum of Modern Art, San Francisco (Usa) |
| PS1 Museum of Contemporary Art, Long Island City - New York (Usa) | |
| Inside Out: New Chinese Art, Asia Society, New York (Usa) | |
| In Your Face, The Andy Warhol Museum, Pittsburgh (Usa) | |
1997 |
Chinese Contemporary Art 1997, Watari Museum, Tokyo (Japan) |
1996 |
China Art Festival, Munich (Germany) |
| Art Material of China's Avant-Garde, Fugang, Tokyo (Japan) | |
1995 |
Configura 2, Erfurt (Germany) |
1994 |
Graduate Show, Central Academy of Fine Art, Beijing (China) |
| Zhang Huan - Selected Solo Exhibitions | |
2010 |
Amituofo, Museum of Contemporary Art, Taipei (Taiwan) |
| Dawn of Time, Shanghai Art Museum, Shanghai (China) | |
| Ashman, PAC - Padiglione d'Arte Contemporanea, Milano (Italy) | |
2009 |
Rebirth, Project B Contemporary Art, Milano (Italy) |
| Neither Coming Nor Going, Pace Wildenstein, New York (USA) | |
| Zhang Huan: Memory Doors, Haunch of Venison, Zurich (Switzerland) | |
| Zhang Huan, Zhu Gangqiang, White Cube, London (UK) | |
2008 |
Zhang Huan Paintings and Sculptures, Diehl + Gallery One, Moscow (Russia) |
| Altered States, Vancouver Art Gallery, Vancouver (Canada) | |
| Blessings, Pace Wildenstein, New York (USA) | |
| Franko B / Zhang Huan: Posizione e Deposizione, Galleria Pack, Milano (Italy) | |
2007 |
My Rome, LipanjePuntin artecontemporanea, Roma (Italy) |
| Ash, Haunch of Venison, London (United Kingdom) | |
| Zhang Huan: Drawings, Galerie Volker Diehl, Berlin (Germany) | |
| Zhang Huan, PhotoEspaña 20, Madrid (Spain) | |
| Berlin Buddha, Haunch of Venison, Berlin (Germany) | |
| Altered States, Asia Society, New York (USA) | |
2006 |
Zhang Huan, The Carpenters Workshop Gallery, London (United Kingdom) |
| Zhang Huan, Galerie Volker Diehl, Berlin (Germany) | |
| Zhang Huan, Sherman Galleries, Sydney (Australia) | |
2005 |
Untitled (performance), Kunstmuseum Bern, Bern (Switzerland) |
| Untitled (performance), Museum of Fine Arts, Boston (USA) | |
| My Rome (performance), Musei Capitolini, Roma (Italy) | |
| Seeds of Hamburg, Museum of Fine Arts, Boston (USA) | |
2004 |
Zhang Huan, Tri Postal, Lille 2004 Cultural Capital of Europe, Lille (France) |
| Zhang Huan, La Fabrica Galeria, Madrid (Spain) | |
| My Sydney (performance), Museum of Contemporary Art, Sydney (Australia) | |
| Seeds of Hamburg, Norton Museum of Art, Florida (USA) | |
2003 |
Zhang Huan, Bochum Museum, Bocum (Germany) |
| Zhang Huan, Galerie Volker Diehl, Berlin (Germany) | |
| Zhang Huan, Nikolaj Copenhagen Contemp. Art Center, Copenhagen (Danmark) | |
| Fifty Stars: Somewhere Better Than This Place, (performance), The Contemporary Arts, Cincinnati (USA) | |
| Buddhist Relics, DiverseWorks Artspace, Houston (USA) | |
| Peace, presented by Creative Time Inc., Art on the Plaza, Ritz-Carlton, Battery Park, New York (USA) | |
| 18 Years Old (performance), Nikolaj Copenhagen Art Center, Copenhagen (Danmark) | |
2002 |
My New York (performance), Whitney Biennial, Whitney Museum, New York (USA) |
| Zhang Huan, Kunstverein in Hamburg, Hamburg (Germany) | |
| Seeds of Hamburg (performance), Kunstverein in Hamburg, Hamburg (Germany) | |
2001 |
My Japan (performance), International Triennale of Contemp. Art, Yokohama (Japan) |
| The Power Plant Contemporary Art Gallery, Toronto (Canada) | |
| Family Tree, Galerie Albert Benamou, Paris (France) | |
| Zhang Huan, Luhring Augustine Gallery, New York (USA) | |
| Pilgrimage to Santiago (performance), Museo das Perigrinacións, Santiago de Compostela (Spain) | |
2000 |
Zhang Huan, Cotthem Gallery, Knokke-Zoute (Belgium) |
| Rubens (performance), SMAK Museum, Gent (Belgium) | |
| Chickenpox (performance), New York (Usa) | |
| Family Tree (performance), New York (Usa) | |
| Flowers (performance), Helsingborg Museum, (Sweden) | |
| Rubens (performance), Parkabdij, Heverlee (Belgium) | |
| My America, Deitch Projects, New York (Usa) | |
| Zhang Huan Survey, Adam Gallery, Wellington (New Zeland) | |
| Zhang Huan, Cotthem Gallery, Barcelona (Spain) | |
| My Australia (performance), National Gallery of Australia, (Australia) | |
1999 |
Sunshine Series, New York (Usa) |
| Zhang Huan: Performance, Artspace, Auckland (New Zeland) | |
| Zhang Huan Works from 1994-1998, Max Protetch Gallery, New York (Usa) | |
| Zhang Huan: Performance on Video, Artspace, Sydney (Australia) | |
| Incompatable as Fire and Water (performance), Rubell Family Collection, Miami (Usa) | |
| Dream of the Dragon (performance), Asian Art Museum, San Francisco (Usa) | |
| Breath Series, Miami (Usa) | |
1998 |
Pilgrimage - Wind and Water on New York, PS1 (performance), New York (Usa) |
| 1/2 Series (performance), Beijing (China) | |
| Foam Series (performance), Beijing (China) | |
1997 |
To Raise the Water Level in a Fish Pond, (performance), Beijing (China) |
| 3006/m3:65KG (performance), Watari Museum, Tokyo (Japan) | |
1995 |
Nine Holes, (performance), Beijing (China) |
| To Add One Meter to an Anonymous Mountain, (performance), Beijing (China) | |
| 25mm Threading Steel, (preformance), Beijing (China) | |
| Concept and Participation in the Original Sound, Dong Bian Men (performance), Beijing (China) | |
1994 |
65KG (performance), Private Studio, Beijing Esat Village, Beijing (China) |
| 12 Square Meters (performance), Public Toilet, Beijing East Village, Beijing (China) | |
1993 |
Angel (performance), China National Art Gallery, Beijing (China) |
| Zhang Huan - Private and Corporate Collections | |
| Center of Contemporary Art, Malaga (Spain) | |
| New Orleans Museum of Art, New Orleans (USA) | |
| Columbus Museum of Art, Columbus (USA) | |
| S.M.A.K., Gent (Belgium) | |
| Centro Galego de Arte Contemporanea, Santiago de Compostela (Spain) | |
| The Israel Museum, Jerusalem (Israel) | |
| Rose Art Museum, Brandeis University, Waltham (USA) | |
| Smart Museum of Art, Chicago (USA) | |
| Yale University, New Heaven (USA) | |
| Museum of Contemporary Art, Leon (Spain) | |
| Museum of Fine Arts, Boston (USA) | |
| Norton Museum of Art, West Palm Beach, FL (USA) | |
| The Pompidou Center, Paris (France) | |
| Buffalo University, Buffalo (USA) | |
| Ulrich Museum of Art, Wichita State University, Wichita (USA) | |
| Museum of Art Lucerne, Lucerne (Switzerland) | |
| National Gallery of Australia, Canberra (Australia) | |
| Henry Art Gallery, Seattle (USA) | |
| Henry Art Gallery, Seattle (USA) | |
| Asia Museum, Fukuoka (Japan) | |
| Capital Research Company Collection, Hong Kong (China) | |
| The Denver Art Museum, Denver, Colorado (USA) | |
| Emily Fisher Landau Collection, New York (USA) | |
| Fukuoka Art Museum, Fukuoka (Japan) | |
| The Marieluise Hessel Foundation Collection, Bard College, Center Curatorial Studies, Annendale-on-Hudson, NY (USA) | |
| The Hara Museum of Contemporary Art, Tokyo (Japan) | |
| The Kent and Vicki Logan Collection, San Francisco Museum of Modern Art, San Francisco (USA) | |
| The John D. and Catherine T. MacArthur Foundation, Chicago (USA) | |
| Museum of Contemporary Art, La Jolla, CA (USA) | |
| Philadelphia Museum of Art, Philadelphia (USA) | |
| The Progressive Collection, Mayfield Village (USA) | |
| REFCO INC., Chicago (USA) | |
| Rubell Family Collection, Miami (USA) | |
| Berkeley Art Museum/Pacific Film Archive, University of California, Berkeley (USA) | |
| The Watari Museum of Contemporary Art, Tokyo (Japan) | |
| Seattle Art Museum, Seattle (USA) | |